
He might be an outlaw and a scoundrel, but he knows his place. And so he judges a pig's worth by its palatability, its usefulness to humans.
Remember, this is Suicidefoodland, where men are men and animals are… barely even objects. So the pirate, long a symbol of danger, dastardly deeds, and dark-hearted greed, is rendered a willing pawn. Yes! A pirate! He who bows before no one, who recognizes no law but his own, who epitomizes everything violent and free! This pirate is nothing more than a victim.
Thus is the power of suicidefoodism to bend everything—every vestige of wild nature, of power, of life—to its ghoulish interests.





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